During the run of its 30th season premiere SEX WITH STRANGERS, Renaissance Theaterworks will shine a spotlight on Wisconsin authors. On Saturday, October 28th the company will host a Mini Book Fair in the Studio Theater lobby of the Broadway Theater Center from 3pm to 10pm featuring members of WisRWA. As an advance introduction to the authors, Renaissance asked them questions related to the various issues and conflicts presented in the play SEX WITH STRANGERS by Laura Eason. Here is the fourth interview of the series.
RTW: What attracts you most about writing romance novels or the romance genre in general?
DC: Women are more interesting to write about than men. Even books and screenplays I’ve written that are not romances tend to have female protagonists. I’ve fallen in love with four of my female leads, including the heroine of each Fast Lane book. I mean literally fallen in love. With fake people. That I made up. After I was done writing each book, I even went through the dopey, mopey withdrawal that comes after a relationship ends. By contrast, I never feel all that close to my male heroes.
RTW: Are you traditionally published or self-published? What do you think are the pros and cons of self-publishing?
DC: All of my novels are self-published, though The Incompetent Witch Series is part of the “Magic and Mayhem Kindle World” of best-selling author Robyn Peterman. She invited me to write novellas that use her books as a starting point and then Amazon publishes them. Experiences I had with Hollywood helped me decide to self-publish. I’d had two agents in L.A. and four of my scripts were optioned by production companies. But every time, the deal collapsed when one guy, the last stop on the way to a paycheck and a career, knocked over the whole house of cards. No one can do that with my novels.
RTW: How heavily does “New York Times Best Seller” weigh in an author’s favor? Will that sell books?
DC: Stanford University’s Business School concluded that “the majority of book buyers seem to use the Times‘ list as a signal of what’s worth reading.” So even if it doesn’t make me a “legitimate author” in my own mind, it does in the minds of readers. And in that sense, it’s huge. It means you have a built-in audience interested in your next release.