WisRWA is pleased to announce the finalists of both our contests: the Fabulous Five Contest and the Write Touch Readers Award. Congratulations to all!
Winners will be announced on May 20th at the WisRWA Write Touch Conference Awards Luncheon.
2017 FABULOUS FIVE FINALISTS
Belinda Brooks – Home Again
Kate Courtright – Time and Again
Kate Courtright – You are Love
Monique Headley – Hard Lessons
Christina Hovland – Things I Wish I’d Done
Avery Cove – Fragile Hearts
Elizabeth Everett – The Rescue of Lord Grange
Elizabeth Everett – The Seduction of Mrs. Smith
Carol Potenza – Second Choice
Abigail Wilson – The Secrets Within the Towers
Angela E. Arndt – The Beekeeper’s Daughter
Kathryn Barker – Catch a Falling Angel
Izzy James – The Shopkeeper’s Widow
Patti Stockdale – The Measure of a Memory
Sharee Stover – Believable Lies
Chel Chavez – The Heir of Erois (Book 1)
Paige Helton – Witch’s Veil
Anne Reed – Dark Matter
Kat Turner – Magical Thinking
Chris Westwater – Wolfling
Kelly Duff – Tame My Racing Heart
Jeanine Englert – Lovely Digits
Barbara Forlenza – Beyond Paradise
Barbara Forlenza – Forbidden Paradise
Lori Matthews – Hit & Run
Debbie Archer – Pocket Change
Wendi Dass – Liebling
Kristi Rhodes – The Tropical Transformation of Joanie Weston
Linda J. Truesdell – The Mending Time
Vicki Volden – Both
Young Adult/New Adult
Rachel Berens-VanHeest – A Gift of Crows
Laura Cumbie – From There to Here
Riley Darkes – Serving Time
Christine Gunderson – Covenant Park
Monica Headley – Off the Rails
2017 WRITE TOUCH READERS AWARD FINALISTS
Contemporary – Long
Babette de Jongh – Angel Falls
Melynda Price – Fighting for Control
Dawn Tomasko – Tides of Hope, A Nantucket Romance Novel
Contemporary – Mid-length
Valerie J. Clarizio *** – Family Forever
Sara Dahmen *** – Wine and Children
Sierra Hill – Sweet Girl
Contemporary – Short
Brenna Ash – Second Chances
Joanne Dannon – Wanting Mr. Right
Stacey Joy Netzel *** – Spring Dreams
Margaret Mallory – Claimed by a Highlander (The Douglas Legacy)
Amy Sandas *** – Luck is no Lady
Vonda Sinclair – Highlander Unbroken
Mary Bentley-Lloyd – Pirate’s Treasure
Laura Scott *** – Shielding His Christmas Witness
Aubrey Wynne – Paper Love
Marissa Doyle – Skin Deep
Marie Johnston – Ancient Ties
Marie Johnston – Birthright
Jade Chandler – Enough
Suzanne Eglington – She’s Got the Jack: The Kate and Robert Chronicles
LaQuette – Lies You Tell
Abbie Roads –Hunt the Dawn
Vicki Tharp – In Her Defense
Tara Wyatt – Necessary Risk
Mainstream Fiction with a Central Romance Theme
Kate Forest – Interior Design and Other Emotions
Robin Perini – Forgotten Secrets
Bev Pettersen – Millionaire’s Shot
j. leigh bailey –Guyliner
Tricia Cerrone – Glisten
Katherine Fleet – The Secret To Letting Go
James Michener once said, “I’m not a very good writer, but I’m an excellent rewriter.”
I think that’s where most of us are, which might be why many writing gurus like Anne Lamott encourage bad first drafts, but we won’t talk about those today. Instead, I’ll focus on revision. I’d like to share my top three tips.
First, put some time between your drafts. At least a few days. A week or a month or two might be better. Most of us fall in love with our stories and we need that infatuation to ebb, so we can read our work without the rosy-everything’s awesome glasses. A little time gives us the emotional distance to view work anew and figure out what’s missing and what might need to change.
Second, have someone else read your work before you upload or send it off to be discovered. Critique partners or first readers can catch story inconsistencies and areas that aren’t understandable in your work. They can tell you which characters they connect to or which one they really don’t understand. Also, they can spot spelling or grammar errors.
At a writer’s conference I attended a copy editor admitted that even she makes mistakes occasionally and when she does, she doesn’t let it bother her because she figures it takes an average of sixteen pairs of eyes to get a manuscript to published flawlessness. Your critique buddies can be one of those first sets of editing eyes. Also, one of the best things about having critique partner or group is that you can become great friends.
My third tip is to try for good or very good instead of perfect. Because being human, and not possessing sixteen sets of eyes yourself, a totally perfect scene or manuscript is unattainable. Too much revision may add hours to your tasks and if you’re like me—it’s a buzz kill. It ruins the fun. So, my advice—do the best you can, look your work over a few times and then stop. Good is good enough.
When I’m not writing, I’m teaching, and I fit the one of the instructor stereotypes. I ask my students to re-think their drafts and to revise more than once. Revision and re-evaluating life decisions are themes that frequently appear in my fiction.
by: Mia Jo Celeste
Mia Jo Celeste comes from a family of writers and English teachers, so it was no surprise that she decided to pursue both careers. She’s an adjunct instructor, who just published her first release, Other Than, your grandma’s Gothic romance gone uber.
Join the Chippewa Falls Area meeting this month as they tackle Candace Havens’s Revisions From Hell. It will piggy back on what was learned during the January meeting.This program is open to WisRWA members from anywhere in the state. Not a WisRWA member, but interested in seeing what we’re about? You’re invited to join us too. See all the details below.
Need a cure for the winter doldrums? Come to the Chippewa Falls area meeting in January to discuss Candace Havens’s “High Concept Story Writing,” and strategies for using it in your own projects. This program is open to WisRWA members from anywhere in the state. Not a WisRWA member, but interested in seeing what we’re about? You’re invited to join us too. See all the details below.
The Writers’ Police Academy conference (held in Green Bay, Wisconsin, August 11-14) started with a bang on Thursday afternoon. The attendees explored armored, S.W.A.T, and bomb squad vehicles. Lesson: my characters will need a lot more agility than I have to get inside those vehicles, especially the armored one. The first step into the driver’s seat is waist high on me.
Tried on a flak vest and crowd control shield. Didn’t even attempt the battering ram. Heavy is the theme with this equipment, including the bomb squad suit. Lesson: My characters will need physical strength to handle this stuff.
For a plastic gun, the Glock 17 was heavier than I expected, but has the sweetest trigger action. Now, when I put a Glock in a character’s hand, I know what that gun feels and shoots like, with every expectation my character can be as deadly as I was.
I learned how to poison a person with bacteria from my own cupboard or the woods out back. Useful information for any amateur sleuth that might turn up in a new series. TIP: mushrooms are unreliable, even the known poisonous ones.
I finally found a use for geometry in self-defense. It’s all about the angles. No doubt I’ll have a character using these techniques. TIP: when fighting an attacker, fists to flesh, palms to bone. Meaning, don’t punch ’em in the face and injure your knuckles. Use the heel of your palm against the jaw and cheekbones.
Friday started with a mock crash scene which involved a variety of triage scenarios, among them a trapped man needing the Jaws of Life to extricate him, testing a drunk driver, and a dead guy and his hysterical and combative mother. Yes, combative is among the normal reactions in these scenarios. We got the full show of rescue vehicles arriving with lights and sirens. Even the evac helicopter dropped in. Helpful should one of my characters get in an auto accident or come across one.
Saturday kicked off with an interactive mock lockdown. No narration. Minutes into the lecture, it just happens. A knife wound victim staggers into the lecture hall. The instructor calls for help from anyone with medical training. When three more victims stumble in, it’s a lockdown situation. Belts are used to tie shut door hinges and objects jammed into the opening mechanisms. Warnings sound over the P.A. A suspect is apprehended. But, is there an accomplice?
S.W.A.T. explodes into the room, guns drawn, shouting, “Hands on your heads!” Their presence is so commanding seven men instantly control a room of hundreds. I am experiencing an adrenaline rush, just as any character I put into this situation will. I also now know what it feels like to get frisked. Told you it was interactive.
There’s much more I could share, from Lee Goldberg (author of the Monk Series and scriptwriter) who delivered his How to Use Research speech like a comedy routine and Tami Hoag (does anyone not know who this author is?) sharing a personal story about using research in one’s private life. Our instructors included an ATF agent, an arson investigator, a Private Investigator, and the amazing officer Colleen (The Rock) Belongea who my six foot plus defense instructor said he would not mess with. She was a favorite with everyone, and as much a face of this conference as organizer Lee Lofland, author and detective.
To view more pictures of this event, go to www.leelofland.com, The Writers’ Police Academy, or my author FB page. This excellently organized event will be repeated in Green Bay, Wisconsin in 2017.
by WisRWA member Barbara Raffin
Are you wondering what the Greater Green Bay group is up to? Well, on September 7th at 11:30 a.m., at the 1951 Restaurant, the talented Randi Alexander is coming to town to help us learn to write steamy love scenes. Randi is a New York Times and USA Today bestselling author and she’s chosen to spend her valuable time with us! We couldn’t be more thrilled.
Here’s a little interview I did with Randi to get to know her better and to gain a little insight from her.
Q: What or who inspired you to write steamy romances?
A: I’ve always loved reading romance, since I was a teenager, and I soon realized I enjoyed the spicier books more than the ones with the closed bedroom doors. Writing books with a number and variety of love scenes – to me – is telling the whole story of a romantic relationship. What happens between the sheets gives us insight into our characters, sometimes in a way that non-love scenes can’t.
Q: Do you have any unusual writing rituals?
A: I do. I pull my hair up into a bun, put on comfortable clothes (usually a muu muu) then I have a snack before I start writing. Oh, and the room has to be very quiet.
Q: What for you constitutes ‘sexy?’
A: Sexy is not just a running description of what part he has where, what thing she’s doing to him, etc. Its scenes written with emotion that reveal our characters’ deepest feelings, scenes with lovingly detailed description of the physical connection between our characters, and long, sweet afterglow scenes where so much can go right…and wrong!
Q: Who is your favorite character from one of your stories and why?
A: I’m having a lingering girl-crush on the last character I wrote. In Saddle and a Siren (an August 11 release in Sable Hunter’s Hell Yeah! Kindle World) I made Kally Zappa a strong, competent rancher who cusses, handles 2,500 bulls, but is still sweet and funny enough to attract the undivided attention of Paramedic Clint Black. I began the story with this independent, capable woman finding herself vulnerable and in dire need of rescue, and made her first-responder fall crazy-in-love with every contradictory inch of her.
Q: What advice would you like to share with new writers?
More About the Program – Writing Sexy Love Scenes with Randi Alexander
Keep your readers engrossed in your stories by creating love scenes that are romantic, emotional, and sensually descriptive. In this interactive, hands-on workshop, we will focus on: 1) building sexual tension throughout your book, 2) producing physical love scenes and climaxes that are emotional, unique, and unforgettable, and 3) ways to give your readers the impact they crave during the quiet moments of afterglow snuggling. You’ll learn to ask yourself two easy questions as you write, and the answers to these questions will make every scene emotionally gripping, sensually gratifying, or both!
More About Randi
New York Times and USA Today Bestselling Author Randi Alexander knows a modern woman dreams of an alpha cowboy who takes the reins, and guarantees they’re rode hard and put up satisfied. Published with Cleis Press, The Wild Rose Press, and self-published, Randi writes smokin’ hot romance with heroes who’ll have you begging to ride off into the sunset with them. When she’s not dreaming of, or writing about, rugged cowboys, Randi is biking trails along remote rivers, snorkeling the Gulf of Mexico, or practicing her drumming in hopes of someday forming a tropical rock-band.
Forever an adventurous spirit with a naughty imagination, Randi is also family-oriented and married to the best guy in the world, her own cowboy, Kick. Give in to the allure of erotic passion, strong but vulnerable heroines, and irresistibly seductive cowboys, as Randi’s emotional love stories sweep you off your feet and leave you breathless with passion.
Saddle up! And prepare yourself for the sexier side of happily ever after.
We can’t wait for Randi’s workshop!
Wednesday, September 7th, 11:30am
at 1951 Restaurant in Green Bay
For more information, contact Green Bay area coordinator Val Clarizio (valclarizio @ yahoo.com).
by WisRWA member Val Clarizio