During the run of its 30th season premiere SEX WITH STRANGERS, Renaissance Theaterworks will shine a spotlight on Wisconsin authors. On Saturday, October 28th the company will host a Mini Book Fair in the Studio Theater lobby of the Broadway Theater Center from 3pm to 10pm featuring members of WisRWA. As an advance introduction to the authors, Renaissance asked them questions related to the various issues and conflicts presented in the play SEX WITH STRANGERS by Laura Eason. Here is the first interview of the series.
Author of charming tales of the Beau Monde.
Anna Durbin is the author of charming tales of the Beau Monde. Having grown up reading sagas of chivalry and romance, she began crafting her own elaborate stories in her imagination at a young age. It was only natural that she would one day write them down. Her first novel, King of Swords, was a 2012 Golden Heart® finalist. For more information on Kings of the Tarot series, visit Anna’s website.
RTW: In the play SEX WITH STRANGERS, the main character Olivia is wounded by a devastating review of her first book and abandons a promising career. Have your ever received a bad review? If so, how did you handle it? Did it ever discourage you or make you question your worth as a writer?
ANNA: I once submitted a couple of chapters of an unpublished manuscript to a contest and had a judge tell me she hated the hero and heroine—couldn’t stand either of them. In fact, she told me she hated them so much that she wouldn’t have completed reading the submission except that she had to fulfill her obligations as a judge. It was pretty harsh, but when I got over the initial hurt—because it did sting a little to have her be so nasty—I smiled. I laughed even, thinking that if I was able evoke that strong of a response (good or bad) from a reader, then I was able to hit them on some emotional level (good or bad) with my story. And besides, it’s all subjective. That same manuscript was a finalist in another national contest.
RTW: What attracts you most about writing romance novels or the romance genre in general?
ANNA: To me, romance is all about living vicariously through the heroine (or hero). If the author is very good, I feel transported into the story, into the very heads of the leading characters. It’s the greatest form of escapism that I can imagine and one that I enjoy immensely. Even more than a movie!
RTW: Have you ever felt dismissed because you write romance vs “serious” fiction? Have you ever been tempted to use initials to disguise your gender as a writer?
ANNA: I was at a non-romance writers’ conference a couple of years ago where everyone was asked at the beginning of the session what genre they wrote. And nearly everyone said “literary fiction.” When I answered that I wrote “romance,” the leader of the session gave me such a look of derision and outright disgust that I thought I might be asked to leave. As to whether I’ve ever considered using my initials to hide my gender, I haven’t, though I do think there is a bias among some readers of literary fiction that men are somehow “better, more serious writers” than women who write romance.