WisRWA Calendar

Nov 01
2017
WisRWA 2017-2018 Renewals
Renewals for the upcoming year begin November 1, 2017. Any renewal that is received after January 15, 2018 will be incur a $5.00 late fee. Click the Join tab to renew your membership. Please direct any questions to WisRWA Secretary, Stefanie Dowell.
Oct 06
2018
WisRWA 2018 Fall Workshop
Mark your calendars for the 2018 Fall Workshop on October 5-6, 2018 at the Grand Lodge Waterpark Resort, Rothschild, WI. For more information, click the Workshop tab.
Apr 05
2019
WisRWA 2019 Write Touch Conference
Mark your calendars for the 2019 Write Touch Conference April 5-7, 2019 at the Milwaukee Hyatt in beautiful downtown Milwaukee. More details to follow!

Meeting Times

Dec 09
2017
Chippewa Falls
10:00-??

Chippewa Falls Area Holiday Party

Bring a dish to pass and a gift worth no more than $15 if you wish to participate in the exchange. There will be a contest to see who can write the best 100wd story to go with a picture to be provided in advance. There will be a prize for the best entry as voted on by the group. Please contact Jane Yunker, Chippewa Falls Area Contact for more details.
Dec 13
2017
Green Bay
11:30-??

Green Bay Area Holiday Party

Bring a dish to pass and a gift worth no more than $15 if you wish to participate in the exchange. Please contact Mary Grace Murphy, Green Bay Area Contact, for details
Dec 16
2017
Milwaukee
12:00-3:00 pm

Milwaukee Area Holiday Party

Bring a dish to pass and a gift worth no more than $15 for the gift exchange. Please contact Jennifer Rupp, Milwaukee Area Contact, for details.
Jan 13
2018
Chippewa Falls
10-12:30; Deb’s Café, 1120 122nd Street, Chippewa Falls

Transitions: Scenes, Characters, Time

Winter is here! A cold wind is blowing, snow is falling, and ice makes walking out your own front door hazardous. There’s no better time to hunker down where it’s warm and WRITE, WRITE, WRITE! Bring examples, both good and bad, from what you’re reading and be prepared to discuss why it does or does not work.
Jan 20
2018
Milwaukee
11:00-2:30; Mayfair Mall (Garden Suites Community Room, Lower Level)

Up Close and Personal: Achieving Intimacy through Voice and Deep POV with Heather Luby

Point of view isn’t just an element of storytelling—it is the foundation of any captivating story. Diving into a Deep POV and utilizing the tools of narrative voice is how we thrust our readers into the minds of our characters and push them into the fictional dream. In this fast paced, hands-on workshop, you will learn the key elements necessary to write immersive, voice driven prose. Come prepared to learn how character, dialogue, and voice work in tandem with Deep POV to leave your reader emotionally spellbound. It is recommended you bring 1-2 sample chapters of your own work for hands-on learning.

WisRWA Newsletter



How I Cobbled Together An Audiobook: Part 1

Now that I have an audiobook, I thought I’d share how I did it. My process won’t necessarily work for everyone, and that’s OK. But hopefully, reading about my experience will provide you the confidence and willingness to at least get started in the process!

As someone who comes from a production background in television and radio, I know I have a bit of an advantage over where to look for voices and what kind of talent I am looking for. I’m no expert, but I have some working knowledge and connections that I’d be glad to share. I am happy to talk to any of you lovely authors about your questions on how to get into audiobooks.

Not everyone’s journey to creating an audiobook is the same. There are a lot of pre-packaged studio and narrator options available to indie and self-published authors, and while I’m not going to Headphones with bookslist them all here, a simple Google search will turn up a majority of those choices compiled in one place. An excellent starting source is this article by Allison Schiff on the Publisher’s Weekly blog.

When deciding to produce your book into an audiobook, you need to decide what kind of voice you’d like to have narrate it. Unless you understand studio time and are willing to pay fees for access, I highly recommend you don’t sit at home and record this on your computer yourself. It will result in poor quality audio that will likely be rejected by most outlets. This leaves you with looking for voice talent.

You must know the following:

  1. Approximate age of your narrating voice
  2. Gender
  3. Whether you want any accents used
  4. Voice variety (such as whether you want multiple actors to voice different characters, or have one voice over (VO) actor play parts by changing his or her voice).
    • The more voices you use, the more expensive this project becomes, not only in the need to pay more talent, but the additional scheduling and studio times you may need
  5. Voice quality (youthful? mature? melodious? dry?
  6. Be prepared, unless you’re shelling out a bunch of money, to allow your VO artist some artistic license. They may not read one sentence the way you always envisioned it in your head. Micromanaging will get pricey, and also frustrating for everyone involved. This is not unlike getting your book made into a movie. The director and other actors will have their own way to portray your characters and you wouldn’t get much of a say unless, say, you’re Diana Gabaldon.

Voice Over Microphone with Computer Once you know what you’re looking for in a VO actor, you may start to search. Some authors prefer to work with a one-stop-shop such as ACX with Amazon, or other larger production houses. They’ll have some great talent voices for you to choose from. I preferred to have more control over my choices as well as my production (as well as save some money).

I also wanted to use non-union talent because it gave me, the “buyer,” far more purchasing power and say in pricing. Union talent will have required costs for their time and set prices for their hours. They’ll also retain some license over the finished work, usually getting a percent of the profits of the audiobook sales in perpetuity (that’s fancy speak for forever). Without the “in perpetuity” clause, you may have to re-up their contract with you after a given number of weeks or months, which can result in a re-negotiation of their pay-out. I’ve worked with the likes of John Corbett and others when it comes to licensing voice overs and it’s a big paperwork headache. A lot of people need to get paid (by you) to have access to a union voice after the usage time has run out.

Thus, I went here to search for non-union voices. They have a ton! The trickiest part is listening to so many and making sure you pick someone who doesn’t sound too much like someone who makes happy-go-lucky cereal commercials for a living. You want someone who is going to take your project seriously and invest some time into it. I find it helps to close my eyes, stop thinking, and really let the voice hit me viscerally as I listen to each one. Go back and re-listen to them several times, giving yourself a few days to digest.

After you’ve created your book project, you can allow people to bid on it, or you can ask your favorite voices to bid. I did a little of both, and was very happy when my first choice said she was in! We signed a very simple contract and I received all rights in perpetuity to the finished audiobook, and gave her a single, one-time flat rate (it came in under $600 for a 85K word book). I did give her a substantial cash tip of $150 afterwards for all the additional work she did on the book, and because I hope to work with her again in the future.

You’ll be listening to the book through at least twice – the first time to listen for errors, and the second time to make sure they are all caught – so plan for many hours of sitting and taking notes. It goes faster than you realize.

Then, make sure you have the files in a few ways – Amazon/ACX asks for each chapter to be sent separately, and has a lot of rules, so when finishing the project, make sure the files comply. iTunesConnect is another publishing option. I also asked for the files in bulk so the book is in two big separate files instead of a bunch of little ones. It’s always nice to have options. You can use online file drops to save your inbox such as DropBox or even Google Drive.

In my next post, I’ll dive into the process of uploading files to ACX.

Sara Dahmen

by Sara Dahmen

Sara Dahmen is the award-winning author of Doctor Kinney’s Housekeeper, a metalsmith, American cookware designer and manufacturer, and a mom. You can reach her @saradahmenbooks or at sara@saradahmen.com.

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One Response to “How I Cobbled Together An Audiobook: Part 1”

  1. Jennifer Rupp says:

    This is great Sara! Thank you. I can’t wait to get a copy of your audio book. I love audio books. We’re going to be talking about audio book talent at our September meeting in Milwaukee. I hope you can be there.

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