As the new year begins, let’s talk about the elephant in the room. One of the toughest things about becoming a writer is discipline. We all know a book doesn’t write itself and no matter how much praying we do, the words don’t always come. I have been writing a long time…well, sort of. I spent the first five years of my writing career talking about writing, researching, taking classes, attending conferences, perfecting my first three chapters and a synopsis, but I never finished a book.
I used to blame my lack of productivity on my day job, my family, my dog, the neighbor’s dog, anyone and anything, instead of myself. Slowly, but surely all the writers in my critique group became published authors, while I kept on pretending that someday I would write a great book. Even after publishing seven books and having others manuscripts looking for a publisher, I still struggle with sitting down to write.
Often what keeps me back from writing is fear of failure. I’m a sensitive sort and every time someone gives me a bad review or a rejection letter lands in my inbox, I crawl in my closet (literally) with my favorite candy (right now it’s peanut M & M’s), but the key is: I always crawl back out. And that’s the answer.
God says in the Bible we should not fear anything. (I write Christian fiction, so yeah, you’re going to get some God from me.) Not everybody is going to love me or embrace what I write, but that’s okay. If you put yourself out there you will be rewarded. Maybe it’s becoming a contest finalist, an email from a fan, a publishing contract or a hug from your hubby or the kids. Whatever it is, remember your talent is a gift. So use it!
Tips on how to finish a book:
So stop reading this post and go write!
P.S. I’d love to hear your favorite writing strategy, email me at Oliviarae.firstname.lastname@example.org
Olivia Rae is an award-winning author of historical and contemporary inspirational romance. She spent her school days dreaming of knights, princesses and far away kingdoms; it made those long, boring days in the classroom go by much faster. Nobody was more shocked than her when she decided to become a teacher. Besides getting her Master’s degree, marrying her own prince, and raising a couple of kids, Olivia decided to breathe a little more life into her childhood stories by adding in what she’s learned as an adult living in a small town on the edge of a big city. When not writing, she loves to travel, dragging her family to old castles and forts all across the world.
Olivia is the winner of the New England Readers’ Choice Award, the Golden Quill Award, and the American Fiction Awards. She has also been a finalist in many other writing contests, including the National Readers’ Choice Awards and the National Excellence in Romance.
From the prominent New York Times Best Selling author to the newbie who’s just begun their writing career, one of the scariest things you can tell a writer is that someone is going to judge their work. Sometimes just telling a writer that their work is going to be read sends them into conniption fits.
However, writing contests should be considered in a completely different light. Writing contests are an excellent way to receive constructive feedback on your WIP and (in many instances) get your work in front of industry professionals without having to write a query!
When I finally could dedicate time to writing again, I noticed that I felt more insecure about my writing than I ever had before. I was scared to write the stories I wanted to write. I was scared to put any words on the paper, for fear that they would suck. I almost considered giving writing up as a whole. And then I read a blog post about the pros of entering writing contests. I began researching all the writing contests I could potentially enter. Ultimately, I ended up submitting two entries into the Fab Five Contest and it was one of the best decisions I made. I took the entire process as an opportunity to grow as a writer. I wanted to know what people thought of my work when they didn’t know it was mine. It was terrifying, but absolutely necessary.
Let me tell you why:
Each final judge reads all five finalist entries. They issue their own feedback form which includes a section for material requests. Essentially, you can get a partial or full request from an agent or an editor without having to write a query and wait months checking and rechecking your inbox. Now, am I saying that entering a contest should completely replace good old-fashioned querying? No. Not at all. Querying is an important process for a writer who wants to publish traditionally, but that’s a blog post for another time. I’m talking about entering contests, specifically the Fab Five contest opening on January 1st of 2019.
For all the benefits discussed, one may suspect that entry fees would break your budget. That is not the case. At $25 for WisRWA members and $30 for non-members, the Fab Five prices continue to be some of the most economical among similar contests. So, for a relatively small fee, you can get expert feedback from published authors and the chance to get your work seen (and maybe requested by) industry professionals. I can say from firsthand experience, entering the Fab Five Contest is worth the price and worth facing the fear of judgement. It just may change your life.
As an unpublished author with no critique partners, joining the Fabulous Five contest proved vital to my journey as a writer. In 2015 I took some time off of writing to completely change careers, go back to school, and get my master’s degree. During those years, I felt well…backed up. I wanted to write my own stories, but time and guilt restrained me. I had papers to write, tests to take, and a thesis to research. How could I take an hour or two to outline a romance novel, when I was barely even sleeping? I couldn’t. There was no time. As such, my mood plummeted, my anxiety spiked, and I was miserable.
My number one reason for entering the Fab Five contest was for the feedback, especially because I don’t really have critique partners. Most authors continue the same patterns from beginning to the end of the book and from WIP to WIP. Chances are the mistakes you’re making in chapter one, are the same ones you’re making in chapter twenty. The opportunity to get detailed and constructive feedback on the beginning of your WIP is invaluable. The Fab Five contest has some seriously qualified first round judges looking at all of the things a potential editor or agent would look for: a catchy opening, believable characters, a conflict driven plot, natural dialogue and active narrative, a sense rich setting, and a unique style. Say you are like me and don’t even realize that you have no dialogue in your WIP until about page five… Don’t worry, the judges will figure it out relatively quickly and tell you in their feedback. Perhaps you are a bit lacking in setting. The judges will let you know. Maybe your work is absolutely fantastic, but only requires some grammatical tweaks. The judges will let you know that too. The Fab Five first round judges try their very best to give detailed and useful feedback on every entry they read, but even then they don’t always agree. Every judge is different and so are their opinions, which is why the lowest score is always dropped when calculating placement in the category (unless there’s a tie) That info is available in the official rules here: 2019 Fab Five Rules Once scores are complied, five finalists are selected in each category and sent to an agent and an editor for final judging.
This leads me to the second reason for entering: the opportunity to get one’s work in front of industry professionals without having to query first. If you’re anything like me, just the thought of writing a query letter, that may or may not lead to a request, sends you into cold sweats. It’s extremely intimidating to think that a few paragraphs can determine whether or not someone decides how interesting and worthy the project (you spent years trying to perfect) is. Entering the Fab Five contest and being a finalist means that both an agent and an editor are going to read the first 2,500 words of your manuscript! There are no queries or even a synopsis needed to enter, so the judging comes directly from that small snippet of your work. I know that last sentence will freak some people out, but consider this: if an entry finals, it has gone through three other judges who considered it worthy of potentially winning. That means those first few pages are filled with some seriously good writing. That alone is a huge confidence boosting compliment.
by: Natalie Caña
I’m tickled pink to meet Maya Rodale next April. So you can meet her too, get out your redsharpie and mark it on your calendar –
Meet Maya Rodale…
The Write Touch Conference
APRIL 4-7, 2019
The Hyatt Regency –Milwaukee, Wisconsin
To prepare you for meeting Ms. Rodale, here’s more about this fabulous author. To be fair,listed below are the bits about Maya that I really want to further explore when we meet at the Hyatt Regency in Milwaukee at #WisRWA19.
*What is Maya’s mother’s name? We have to find out and thank her…profusely. As it’sbecause of her mother, who insisted her daughter read romances, Maya now reads,writes and advocates for the romance genre. Thank you, Mrs.____________!
*Penny is Maya’s beautiful dog. As you can see in the picture, Penny is dazzling and she deserves her title as a Lady. How has Penny become so deserving of her title? Inquiring minds, especially those with pets, want to know more about Penny.
*Maya hooked me with, “It has pockets,” the blurb from her latest title, Duchess by Design. How did Maya Rodale tap into my own quirky fashion necessity? How does Maya do it? Get readers to bond with her heroines in less than a nanosecond!
Comment and tell me what your questions are for Maya Rodale! Together, we’ll find out the answers in April 2019.
Duchess by Design came out in November. I plan to hunker down after the holiday season with my copy. In January I will be cozying up with some warm fleece socks, a blanket, a mug of hot chocolate and my trusty soft pants…with pockets.
Daring and Decadent Storyteller
Co-writing is not for everyone. Char Chaffin and I have been friends since 2011, when we both came on board Soul Mate Publishing with our debut novels. We got to know each other virtually, and by the time we met in person at our first romance conference—Atlanta in 2013—it was as if we’d known each other forever. Soon, we both became acquiring editors with Soul Mate, cementing an already strong friendship.
During RWA Atlanta, we’d tossed around writing something together, and after one frenetic brainstorming evening came up with our first co-written book, Rodeo King, which debuted in 2014. We were thrilled when Rodeo King finaled in the 2016 Heart of Excellence Readers’ Choice Awards.
We had so much fun writing together, we decided to keep doing it, and agreed a pen name was in order. CiCi’s first name was easy, since both our names start with ‘C.’ All we needed was a last name. Eventually, we came up with ‘Cordelia’ which means ‘heart,’ and our tagline is ‘Writing From The Heart.’
Co-writing is an exciting adventure, but it also comes with challenges, and is not for the weak at heart. Mutual respect and compromise is the key to a successful co-writing partnership.
Char and I talk on the phone frequently; everyday if we’re working on a project. I’ll bring Char in here and we’ll discuss our writing processes and how they combine seamlessly into our works as CiCi Cordelia.
We’ll answer some of the questions we routinely receive regarding our partnership:
How do you combine your voices?
Since Char’s a heavy plotter, and I’m a total fly by the seat Pantser, it works really well. I’m able to continue with my usual creative process while Char keeps us focused. Plus, I’ve learned to at least outline each chapter which has improved my writing. I just can’t plot too far in advance or I lose the spontaneity of the story.
Char: Writing with someone else opens up a whole new world of compromise. ::grin:: For me, I had to write more on the fly than ever, and Cheryl found herself dealing with my incessant need for outlining. Part of why CiCi succeeds is our ability to meet each other halfway.
Cheryl: True dat. Since I started writing with Char, I’ve learned to plot, just a bit. We do a general outline,so we can stay on track. But the stories never turn out the way we originally plotted them, so there’s still a lot of pantsing going on.
Who writes what chapter?
One of us writes a chapter, then sends it to the other for edits. We usually have two or three editing rounds before the chapter is polished enough to move on. Then the other one writes a chapter and we repeat the process.
How do you work out disagreements?
Char: We are both strong writers with strong opinions, so obviously we sometimes come at our basic plot incompletely different ways, whether or not we’ve already set down an outline. We’ve never not been able to talk it out and find common ground we can both accept. I think that’s because we do know each other very well and consequently know when it’s better to cede rather than argue. Also, we understand when a project won’t work for us, the same as we instinctively know when we have picked a winner that will benefit from what we both bring to its creation.
Cheryl: This is where compromise comes into play. Char and I are fortunate that we love the same type of books and don’t often have disagreements. But, we’ve had a few. It’s a delicate balance because usually we are both right, it’s just that we’re having a difference in where we see the story leading. So, we carefully and respectfully work through it, until we agree upon the chapter, and where it’s heading. The best thing about co-writing is that this process leads to a better read, in my opinion.
How do you both settle on genre? Characters? Titles?
Char: It depends on whether one or both of us have an idea that won’t leave us alone, or whether we’re just chatting on the phone and brainstorming occurs. We both get so excited when we start talking plotting and characters, that often the genre and our hero/heroine creates themselves.As for titles, those can be toughies, but again if we just talk it out together, we find what’s right for our work.
Cheryl: Yeah, what she said . . . ::smile::
Do you use an outside editor and cover art services for your co-written works?
Char: Since we’re both editors, we usually edit each other during the creative process. Cheryl is a great developmental editor, and I’m punctuation-crazed and grammatically anal. Both of us are strong characterization editors. Cheryl handles all the cover artwork, either creating it herself or working with a cover artist to come up with a selling cover.
Cheryl: We edit each other and that seems to work well. I do have a handful of critique partners I run my work through, and they catch a lot of stuff. By the time we finish our stories, they are pretty clean.
Does your writing partnership affect your working relationship as acquiring editors at Soul Mate Publishing?
Cheryl & Char: That would be a yes . . .but only in a good way. Sometime in the fall of 2015, we were chatting as usual, and started toying with the idea of a long-range book/series project we could develop together as editors, written by thirteen different Soul Mate authors. When we presented the idea to Soul Mate Owner and Senior Editor Debby Gilbert, she fell in love with the premise and gave it her professional blessing, and The Soul Mate Tree Series was born. The first book was written by us, under our pen-name, CiCi Cordelia. So, we not only co-write together, we co-edit.
We are currently working on a three-book historical western series, and our co-writing grows stronger with each book.
What advice do you have for those thinking of co-writing?
Char: First and foremost, you need to trust your co-writer. And it helps if you work with an author whose writing is similar to yours. I believe you should go at co-writing for the right reasons. Cheryl and I co-write because we love writing together and we believe the books we create together combine the best of both of us. As mentioned before, compromise is key. You’ll have to find common ground through every aspect of the process and you’ll need to leave your ego at the door, too.
Cheryl: As Char mentioned above,make sure you like and trust your writing partner. That’s key. Then look for someone who complements your work. It’s important to find a writer who makes your own writing stronger.
I do believe Char mentioned she’s anal . . .lol. True. I, on the other hand, am not. So I’m always rushing, wanting to get to the exciting part. That sometimes means leaving out details that would make the scene stronger. And Char sometimes writes with so much detail I find my mind wandering. So I edit her down, and she edits me up, and the pacing of our stories is the better for it. So don’t just look for someone who writes ‘just like you.’ Look for someone who melds with your own writing style to make a great story even greater.
But most of all, have fun!
Cheryl Yeko is an award-winning author and writes Steamy Romantic Suspense with protective alpha men and strong heroines. She also co-writes Sexy Historical Westerns and Hot Paranormal with her BFF, Char Chaffin.
She lives in Wisconsin with her husband Patrick. She loves to read, play piano, and spend time with family and friends. She belongs to several writing groups, including Romance Writers of America (RWA), Wisconsin Writers Association, Wisconsin Screenwriter Forum, and Sisters in Crime.
“The internet is forever.”
Wrong. We’ve all heard this warning. I say it to my teenage daughter all the time. But this so-called helpful advice is not only not helpful to you, if you’re like most people, it’s probably detrimental to your success on social media.
Unless you’re talking about nudie pictures, (public service announcement: don’t post nudie pictures on the Internet) letting your social media strategy be guided by the fear that any of your posts will ever be fascinating to the whole world for all time is kind of like planning your three-year-old’s career as an NBA superstar. Sure, it happens to some people, but the odds of it happening to you are just so (to be polite) ridiculously small. And, in fact, your biggest problem is much more likely the opposite: getting anyone, anyone at all, to read and care about what you’ve posted.
My day job is social media marketing, and I spend a lot of time doing it. So, from my experience, let me suggest some better, more helpful advice.
by: Kristin Bayer
By night, Kristin is a playwright, and an aspiring romance author. By day she’s a digital marketing consultant and a mom. Find her at her website or on the bleachers at her kid’s game.
Congratulations to the following WisRWA members on their new releases this month.
A War Within by Katherine Hastings
On Par with a Fairy by Lyla Bardan
Laossin: Prince of Rampulla by Jevenna Willow
Ever have a deadline and have no clue how you’re going to meet it? That painful moment that seems to last ten years where your brain refuses to engage in thought and you’re left idea-less. I was there just minutes ago when I realized it was my turn to post and I had no topic and no clue what I’d write, so…
I decided to look for help. I googled ways to inspire creativity. Here are 13 ideas to jump start creative thoughts.
by: Mia Jo Celeste
Mia Jo Celeste comes from a family of writers and English teachers, so it was no surprise when she chose to pursue both careers. You can find out more about her on her website or on Twitter.
The WisRWA Chapter Service Award is an award that WisRWA gives out to members who have shown exemplary service to our organization often going above and beyond the call of duty for WisRWA. Members are nominated and sent to the Chapter Service Award chair or chairs who will read through the nominations and choose the winning recipient or recipients. The committee received many nominations and were quite pleased to see all the ways our members are serving the chapter.
To serve is to give above and beyond what is expected. This year, WisRWA chose Lisa Romdenne, Past President of WisRWA.
Here is what the nominating individuals had to say about her:
When she was a relative newcomer to WisRWA Lisa Romdenne stepped in to run for president of our chapter at a time we were once again facing the very real possibility of folding. She caught on fast, and in the last two years she’s done a fantastic job. Lisa has handled board meetings efficiently, followed through on chapter commitments, has listened to all sides of an issue, and has shown immense patience and a knack for detail. She has made it easier for the rest of us to do our jobs. While president of the chapter, Lisa continued to be an active, helpful member of the Greater Green Bay Area.
Like the leader she is, Lisa has been willing to help with any project and takes an interest in questions about the chapter raised by individual members. Lisa has done an exemplary job of representing WisRWA as a unique and long-standing chapter of RWA, and has done so with great good humor. She always shows us the best of her outgoing personality.