WisRWA Calendar

Oct 06
2018
WisRWA 2018 Fall Workshop
Mark your calendars for the 2018 Fall Workshop on October 5-6, 2018 at the Grand Lodge Waterpark Resort, Rothschild, WI. Registration is now OPEN! For more information, click the Events tab and choose Workshop.
Apr 05
2019
WisRWA 2019 Write Touch Conference
Mark your calendars for the 2019 Write Touch Conference April 5-7, 2019 at the Milwaukee Hyatt in beautiful downtown Milwaukee. The conference will feature Maya Rodale as keynote speaker, and Lisa Cron as one of the headliners. More details to follow!

Meeting Times

Jul 11
2018
Green Bay
11:30-3 at 1951 West 1951 Bond Street, Green Bay

GGBA Has Talent

Bring the first page of your work in progress and join us as our narrator reads each page aloud and the group gives feedback to the anonymous author!
Jul 14
2018
Chippewa Falls
10-12:30 at Deb's Café 1120 122nd Street, Chippewa Falls

It's All About BalanceWe all struggle with finding the time, and often the motivation, to write with all the other things that go on in our lives. Some of us have other jobs on top of our home and family obligations. Children, spouses, parents get sick or injured and need our time and attention. Committees, volunteer work, church, school, so many things can leave us drained at the end of the day. Then there are the discouraging, often depressing, things we hear about in our daily news reports. And don't forget such nonsense as #cockygate and bookstuffers! Come discuss with us how you manage to find the time and motivation to write while being pulled in so many directions.
Jul 21
2018
Milwaukee
9am-11:30 at the Mayfair Mall (Garden Suites Community Room, lower level), Wauwatosa

Time for a Write-In!

We're getting together to WRITE! Bring your Work In Progress and join us your fellow authors as we get some writing accomplished.

WisRWA Newsletter



Creating a Hero or Heroine that Captivates Readers

A strong, vivid hero or heroine

I don’t know about you, but I read fiction for the characters and the adventure those characters go through. Like most readers, I want vivid heroes who draw me into their situations and, often when I don’t get into the main character, I put the book aside. But how do writers create those attention-grabbing heroes?

Here’s what some of my favorite writing experts have to say.

  1. First, don’t create a wimp. Follow Jack Bickham’s advice from 38 Most Common Fiction Writing Mistakes. “Fiction writers too often forget that interesting characters are almost always characters who are active—risk takers—highly motivated toward a goal. Many a story has been wrecked at the outset because the writers chose to write about the wrong kind of person—a character of the type we sometimes call a wimp.”
  2. In The Key: How to Write Damn Good Fiction Using the Power of Myth, James N. Frey, a writing instructor and author, suggests that heroes have certain qualities that attract readers. Main characters must have courage. Either they start with it or they develop it along the way.
  3. Fictional heroes need to be clever and resourceful.
  4. Also, a compelling hero or heroine has a special talent. Something he or she can do better than anyone else in the story. We’re attracted to competence. We tend to pick doctors, mechanics, restaurant chefs and, yes, even fictional heroes because they perform a skill or set of skills exceptionally well.
  5. Like the previous examples, the heroine in our novels might use her unique talent to make a living and be proficient at her calling.
  6. An appealing hero is also a person who lives by his own rules. He strives to do what’s right in his mind even if others in the story don’t understand him.
  7. An effective main character is the focus of the action and the story. She must take the lead in whatever case she embraces.
  8. In Thanks, but This Isn’t For Us, Jessica Page Morrell, a best-selling author of many books on writing craft, echoes this. She says, “Heroes take charge, take responsibility, and take risks … they’re people of action who speak their minds, kick ass and take names, and, most important, who act when in real life we’d be cowering, or wetting our pants, or scrambling for an exit.”
  9. Further, she goes on to state, “Heroes dare to be wrong.”
  10. Equally important the large-and-in-charge heroine—at the center of the story, should be flawed. She or he has been wounded in the past. Perhaps he’s lost a loved one, been injured or lost his faith. He’s vulnerable and in need of healing. He has an event or a series of events in his past he’s got to work through. This brokenness fuels his current goals, makes him human and enables readers to identify with him.
  11. The hero has to grow and change throughout the story. Often, he strives to become less selfish or self-centered.
  12. She may even sacrifice herself for the good of others. Frey believes that the most compelling heroines motivated by idealism at some point in the story.
  13. Lastly, Frey suggests that the hero should be sexually potent. As Frey puts it, “Creating a mythic character without sexual energy is like bringing the burgers, the buns, and the charcoal to the barbecue, and leaving the matches at home.

I love reading stories that feature intriguing characters and I hope these tips will help you when you write your next tale. Also, if you’ve found the suggestions useful, I hope you’ll consider checking out the resources quoted in this article for further study.

  1. Sources
    Bickham, Jack M. 38 Most Common Fiction Writing Mistakes. Writers Digest Bks., U.S., 1998.
    Frey, James N. The Key: How to Write Damn Good Fiction Using the Power of Myth. St. Martins Griffin, 2002.
    Morrell, Jessica Page. Thanks, but This Isnt for Us. Jeremy P. Tarcher, 2009.
    Image Source: Wikipedia

Mia Jo CelesteMia Jo Celeste comes from a family of writers and English teachers, so it was no surprise when she chose to pursue both careers. Recently, her novel Other Than became a double finalist in the 2018 Prism Contest in the Historical/ Steampunk and Best First Book Categories.


Promotion Thursday – July 2018

Promotion Thursday - October EditionIt’s Promotion Thursday for March. Check out where you can find our WisRWA authors this month.

 

Molly Maka will be presenting The World of the 20th Century: The First 50 Years at the RWA National Conference in Denver, CO on July 19 at 10:40 AM.


Five Spins on Traditional Conference Advice

Logo for RWA Nationals 2018 conference

www.rwa.org

My neighbors are blowing stuff up in the cul-de-sac while my dog cowers under a chair, so that can only mean one thing: it’s July, and conference time is almost here. As the fireworks settle down and the picnic leftovers run out, romance writers everywhere are preparing (aka getting mani/pedis) to head to the annual national conference hosted by Romance Writers of America.

I’ve attended five RWA national conferences: as a wide-eyed newbie in 2013, a chapter president in 2014 and 2015, and a Golden Heart ® finalist in 2016 and 2017. Now, as I get ready to attend my sixth “Nationals” this year, with my shiny new PAN pin on my badge, I thought it would be a great time to share a few things I’ve picked up along the way.

I know. Articles about how to prepare for conferences abound. They spring up on the internet this time of year like mattress sales (what is it about patriotic holidays and selling mattresses, anyway?). So why should you keep reading this one? Well, remember how agents and editors are always saying they want “the same, but different?” This is kind of like that. I’m going to take five traditional pieces of conference advice, and add a little something different, my own little spin, collected over the five years I’ve attended Nationals.

Picture of Melonie Johnson with water bottle

Stay hydrated!

  1. Drink Lots of Water: Hotels are H2O vampires, sucking all moisture from the air, your body, hair, and soul. Well, maybe not the last one. But it sure feels like it sometimes. It is important to hydrate often. Carry a water bottle. Refill it at the stations set up in workshop rooms. My spin: if you plan to spend any time at the bar (and I hope you do, it’s one of the best parts of going to cons), pace yourself by having a glass of water between cocktails. I won’t suggest how many drinks to have, you know your own limit (mine is two, yes, it’s sad) so if the conversation and drinks end up flowing late into the night, I maintain an air of fun for myself by drinking water out of a wine glass.
  2. Carry Business Cards: You’ve followed all the advice and spent way too many hours designing the perfect business card. Now you have 500 of the darn things and can’t wait to unload them. But shoving your card at people isn’t the best way to network. My spin is to ask other people for their business cards. You’re in line for coffee or waiting for a workshop to start. Strike up a conversation with the person next to you. Ask them where they are from, what they write…and then ask if they have a card. Nine times out of ten, they do, and will be freaking delighted someone asked for one! And nine times out ten, they will reciprocate and ask for yours. It’s a win-win. PS: if they don’t ask for yours, you can politely offer them one, but don’t be salty about it or you’ll have lost all that feel-good networking mojo.
  3. Pack Strategically. Historical romance author Erin Knightley has a fabulous video on packing for conferences. I take it a step further and put my packing cubes inside vacuum-seal bags that suck all the air out. Why? They shrink, so I have more room in my suitcase, obvs. But also, they keep everything dry. I will never forget at my first conference, a NYT bestselling author had nothing to wear because her suitcase had been left on the tarmac in a downpour, and all her clothes got soaked, many ruined.
  4. Yes, many writers are introverts, and during the conference feel pressured to pretend to be extroverts.
    Picture of cute shoes with painted toenails

    The traditional conference pedi.

    I’m an extrovert at heart, so this isn’t a problem for me. But if talking to strangers gives you hives, don’t be afraid to use the introverts’ tried and true method of talking to strangers: the internet. Engage in social media while at the conference. Use hashtags like #RWA18 and #RITAGH to post about the conference and share fun pics or nuggets of workshop gold. And maybe you will run across fellow introverts tweeting via the same hashtags and can strike up a conversation that way (and perhaps turn that into an in-person convo at the bar?).

  5. Schedule Downtime. Introvert or extrovert, over the course of the long conference days we all, as one of my RWA roomies put it, “run out of nice.” For some, recharging batteries means escaping to a dark, quiet hotel room for a nap. For me, I like to go outside for a few minutes and get some fresh air and hopefully a bit of sunshine. Whatever gets your nice levels back up to working levels, take some “me time” and don’t feel like you have to do everything, see everyone, be everywhere.

There you have it! If you are headed to Denver, I hope to see you. Look for me at the bar, I’ll have a wine glass in my hand, and there’s a decent chance it will be filled with water.

Melonie JohnsonAward-winning author Melonie Johnson—aka #thewritinglush—is a two-time RWA Golden Heart® finalist who loves dark coffee, cheap wine, and expensive beer. And margaritas. And mimosas. And mules. Basically any cocktail that starts with the letter m. She met her future husband in that most romantic of places—the mall—when they were teenagers working in stores across the hall from each other. Today, they live happily ever after in the magical land midway between Chicago and Milwaukee with two redhead daughters, a dog that’s more like a small horse, and a trio of hermit crabs. After earning her Bachelor of Arts magna cum laude from Loyola University Chicago, Melonie taught high school English and Theatre in the northern Chicago suburbs for several year. Now she writes smart and funny contemporary romance and moonlights as an audiobook narrator under the pseudonym, Evelyn Eibhlin. Watch for her contemporary romance debut, THE SOMETIMES IN LOVE series, coming summer 2019 from St. Martin’s Press. Melonie is represented by Pamela Harty of the Knight Agency. A Star Wars junkie and Shakespeare groupie who quotes both Yoda and the Bard with equal aplomb, you can visit her at at her website and find her on Twitter and Instagram at @MelonieJohnson.


New Release Tuesday – June 2018

NewReleaseTuesday2

Congratulations to the following WisRWA members on their new releases this month.

 

Book Cover for Spirit Shattered by Tessa McFionn

 

 

 

 

 

 

 

 

Spirit Shattered by Tessa McFionn

 

Book Cover for Kinky Briefs Cinque by Seelie Kay

 

 

 

 

 

 

 

 

Kinky Briefs Cinque by Seelie Kay

 

The President's Wife by Seelie Kay

 

 

 

 

 

 

 

 

The President’s Wife by Seelie Kay

 

Forged Souls Saxton by Jevenna Willow

 

 

 

 

 

 

 

 

Forged Souls of Amathus: Saxton by Jevenna Willow

 

 


My Journey to Writing Own Voices Stories

Image promoting #OwnVoicesGrowing up the only time I saw people like me on television was when I was at my grandmother’s house watching telenovelas or when there was a housekeeper/nanny/criminal on some other program. Literary pickings were even slimmer. There were no characters who looked, sounded, and acted like me or my loved ones. At least not ones written well and without stereotypes.

When I decided to become a writer I struggled to decide what kind of characters I would create. I wanted to tell stories about Latinx people, like me, but I also saw that all the characters in the stories I read were not people like me. I started writing stories about characters like the ones I saw in other books and secretly withered away inside.

For many years my family would tell me, “When are you going to write a story about us?” and I would reply, “Maybe one day.” Then I would go back to reading Twitter posts and blogs about the need for diversity in publishing, nod my head in agreement, but continue to write the same types of stories. Taking up the mantle seemed like such a daunting task and something better suited for more established and experienced authors.

It wasn’t until recently that I realized I was wrong.

At a Barbara Vey’s Reader Appreciation Luncheon I had the incredible luck of scoring a seat at my writing idol’s table and we discussed writing. She asked me what I was working on. I told her I was currently taking a break from writing, because I just didn’t feel motivated. She asked me if I had any ideas that I felt excited about and I hesitated to answer. Eventually I told her that I’d always wanted to write a series based off a large and animated Puerto Rican family like mine. Her response was, “That’s awesome. Why haven’t you written it yet?” I tried to explain that I didn’t think it would work and how I thought it was something better left for other (already represented) authors. She grabbed my hand, looked me in the eye, and said, “Listen to me. Nobody is better equipped to write those stories than you. Your stories need to be heard, so write them.”

I sat there in a sort of dumbfounded shock and thought to myself, “Is she right? Should I be writing these stories? Can I handle the pressure?” I thought about my life. About how I was forced to use my Barbies to act out stories as a kid, because I couldn’t find any about people like me anywhere else. I thought about how I have always been a proud Latina, even when others tried to discourage me from being one. I realized that I wasn’t doing myself or potential readers justice. There are people out there hungry for diverse stories and I can provide some.

I immediately went back to my hotel room and started plotting. I haven’t gotten as far as I’ve wanted. As you fellow writers know, life often gets in the way of our best laid plans. However, I can finally say that for the first time in a long time, I am excited to write. I look forward to finally giving my family and others like us a story with real representation to enjoy.

Headshot of Natalie CanaWhen she was in the first grade Natalie Caña was given an assignment: write a few sentences about the old lady who lived in the shoe. Four pages later (front and back) in which she wrote a whole new version of the story, it became clear to her mother that she was a writer.  However the type of writer she was remained unclear, so she tried a little bit of everything. She wrote plays, screenplays, poems, song lyrics, news stories, and even produced some television. It wasn’t until she picked up her first romance novel, that everything was revealed (clouds parted and angels sang). She was a romance writer. Now she writes contemporary romances that allow her incorporate her witty sense of humor (it’s impossible to quiet) and her love for her culture (Puertominican whoop whoop!) for heroines and heroes like her.


Insights Learned From Birthing A Book

I spent nine years getting ready to birth a book. I would have preferred it take nine months, but everyone’s publishing journey is different. I like to think I gained some wisdom after surviving my debut launch. Wisdom I will share with all of you.

A good friend of mine debuted her first novel in March. She was busy planning for the big day. Blog posts. A party. Popping champagne. I think I startled her when I told her she wouldn’t have a launch day, she’d have a launch year. Yep! Once that novel goes live on Amazon, you will be banging the promotional drum for the rest of your life, or at least one year. We place pressure on ourselves for “the day” and we need some hoopla, but authors need to be connecting with readers and increasing discoverability for months, not days.

The publishing world has changed dramatically since I first put pen to paper. Thousands of books are placed on Amazon every year. Some authors don’t need to work on discoverability because everyone knows their name and is waiting breathlessly for their next novel. The rest of us have to build our reach organically. Is it work? Yes? Can it be fun? Most of the time.

How do you get readers to know you have a book in the digital world? First, you have to know who your readers are and where they hang out. I write Christian

fiction. I make a point to be on Christian blogs a couple of times a month. I will also guest on podcasts about writing topics or topics that connect me to readers. I survived breast cancer and I talk about that aspect of my life since it intersects with launching my debut novel. Readers may not be able to relate to writing a book, but they probably know someone who battled cancer.

I didn’t know any podcasters when I signed my first contract. I met podcasters at writing conferences and on Christian publishing loops. Opportunities abound in writing communities.

Have you visited your local libraries? Not to check out books, but to ask them to buy your books. Repeat after me, “The reference librarian is my friend.” Libraries don’t return books to your publisher. When they buy a book, it’s sold for life, or until it’s placed in the Friends of the Library sale. Walk into your local library and introduce yourself. This is your homework for the week. Hand the librarian a sell sheet and politely ask them to purchase your book. Would your book sell well in a different region of the country? Call a few libraries in that geographic area.

Also, visit local bookstores. Even those “Big Name” stores. You are a local author and customer. If you won’t ask them to carry your book, send a relative. My mom is one of my best marketers.

Don’t sweat your launch day. Enjoy the experience and be proactive every month to reach your readership. That first year will fly by.

Barbara M. BrittonBarbara M. Britton lives in Southeast Wisconsin and loves the snow—when it accumulates under three inches. Barb writes romantic adventures for teens and adults in the Christian fiction and Mainstream markets. She is published in Biblical fiction and enjoys bringing little known Bible characters to light in her Tribes of Israel series. Barb is a member of the American Christian Fiction Writers, the Society of Children’s Book Writers and Illustrators, Romance Writers of America and Wisconsin Romance Writers of America. Barb has a nutrition degree from Baylor University but loves to dip healthy strawberries in chocolate.


New Release Tuesday – May 2018

NewReleaseTuesday2

Congratulations to the following WisRWA members on their new releases this month.

 

Book Cover for The Substitute Wife by Cici Cordelia

 

 

 

 

 

 

 

 

The Substitute Wife by CiCi Cordelia

 

Book cover for Love, Unexpected by Virginia McCullough

 

 

 

 

 

 

 

 

Love, Unexpected by Virginia McCullough

 

Cover of Fangs and Fins by Amy McNulty

 

 

 

 

 

 

 

 

Fangs & Fins (Blood, Bloom, & Water Book One) by Amy McNulty

 

 

 

 

 

 

 

 

 

Succubus Lips (Succubus Sirens Book One) by Lina Jubilee

 

 


An “Image System”— Plot or Polish for Deeper Fiction, Deeper POV

Movie directors and cinematographers work with Image Systems to deliver a story and character that entertain and offer meaning.

For those of us writing novels, creative nonfiction, memoir, and short stories, working with an “image system” can “deepen” or improve crucial aspects such as Point of View, characterization, momentum, and theme. Some writers also use an image system as a plotting tool.

Picture of a landscape with a polaroid in the middle showing perspectiveImage System tip 1:  Play with light and shadow more to create special effects and emotion.

  • Check to see if you have too many chapters or scenes starting with a sunny morning or ending with the character going to sleep.
  • Check to see how many scenes are always in the same lighting. Could you vary things more? Use more night-time scenes?
  • Does your character note the light/shadow differences as they enter buildings, rooms, alleys, and other realms?
  • How might darkness or bright light shock your character? Or scare them? Or energize them? Or bring them new knowledge?

Image System tip 2:  Create better and more accurate distance and visual perspectives, as well as sound and smell perspectives.

  • Are you monitoring and varying your close-up camera shots versus long shots?
  • What can your character really see or not from where she or he stands? Do you mistakenly describe eye color but your character couldn’t possibly see that detail from thirty yards away?
  • Smells work the same way. Your character can’t smell a bakery from twenty yards away on a busy street clogged with car exhaust. Within five feet they might be assailed by the cinnamon smell.
  • Sounds have logic as well. At how many feet or yards away do certain sounds appear for your character? How do concrete buildings in a city muffle sounds? Remember that ice, water, and air temperatures affect sounds. Readers will love it if you are accurate about these things.

Image System tip 3:  Contrasting textures signal emotions.

  • The sense of touch is a rich, strong sensation often left out of early drafts of manuscripts, except for that pivotal first touch by lovers perhaps.
  • What information does your character get via the sense of touch of other things, or even via looking at various textures?
  • What texture holds the key to their happiness? Or makes them sad or take action?
  • What texture brings your character fear? Or pain? Or soothing calmness?
  • Where does texture appear in each of your scenes and chapters? Do a “texture outline.” Movie and stage sets are filled with well-designed and chosen textures because we innately feel them as we watch; in novels, the description can take us even deeper and help us experience an emotional reaction via textures old and new.

Image System tip 4:  Interior versus exterior—create momentum. 

  • Movie directors use a constant mix of indoor and outdoor shots. They know the audience becomes bored if five or ten scenes in a row take place indoors, for example.
  • How many of your scenes take place in the interior (or exterior) all in a row or in total for your manuscript?
  • Momentum suffers when characters are in the same place for too long and too many scenes. Readers grow tired of the sameness.
  • What about novels where most or all of the action takes place in a single room? Even that can be exciting if you exploit the concept that there are quadrants in that room and each of those four sections has different values of light, shadow, color, texture, temperature, smell, sound quality, and possibly even taste differences.

Image system tip 5:  Objects matter in every story and help you sell.

  • Directors say that all movies are about the pursuit of an object.
  • In the now-classic novel Plainsong, author Kent Haruf gave teenage Victoria a red purse. What does it symbolize? Haruf did a nifty thing by giving that purse a symbolic, simple plot all its own.
  • Our own novels soar when we imbue an object with symbolism and emotion.
  • What is the object that “matters” in your story?
  • Objects with special emotional or plot meaning usually appear on the cover of a book because marketers know they resonate with readers.

Christine DeSmetChristine DeSmet is a writing coach and instructor with University of Wisconsin-Madison Continuing Studies. She also teaches an online course in novel writing. A past Golden Heart winner and finalist (3 times), her books include three in the Fudge Shop Mystery Series (Penguin Random House) set in Door County, Wis., and the re-issued light romantic mystery novellas When Rudolph Was Kidnapped and Misbehavin’ in Moonstone (Writers Exchange Publishing).


Know Your Whys

The word Why with lots of question marksWithout a doubt, asking who, what, where, when, how are critical to every novel. However, when it comes to your writing, “Why?” is the most important question to ask.

Asking and answering “why?” brings layers to the story. It helps us dig deeper into our characters’ motivations and perspectives. It shows how the past impacts the present. It helps us understand a character’s choices, actions, motivations. It brings meaning to a physical object.

“Why” allows us to cut a beloved sentence or scene. It leads to those “ah-ha!” moments, the surprising moments when you discover something new, unusual, or shocking about your character. In turn, you now have the perfect environment to create a moment that’s completely unexpected.

Recently, a writer friend had me read part of her manuscript. She wrote, “If I leave now, I’ll be home by three o’clock.”

This sentence stood out because I didn’t understand why it was there. What purpose does it serve? Why is getting home by three o’clock important to the story? (She never answered that within her novel.) When I asked her, she said it really didn’t have any importance. She cut it! Do you have sentences like that?

MIT professor and award-winning author, Laura Harrington, said that every word you write in your novel must have muscle. If a scene serves several purposes, even better. Always pay attention to your whys?!

Me Before You author Jojo Moyes once told me that she never regretted anything she cut, only the things she didn’t cut. Think about it: Why is this scene important?

To help you with your writing, I’ve created a WHY list of questions.  Good luck!

By: Liza Wiemer

Liza Wiemer is an award-winning educator with over twenty-five years of teaching experience. Hello?, her debut realistic contemporary YA novel, is set in Door County, Wisconsin and was published by Spencer Hill Press, NY. It was named a Goodreads Best Young Adult Novel and was on Milwaukee County Bestseller’s List for four weeks. Paste Magazine called it “one the most original novels of the year.” In addition, Liza has had two adult non-fiction books published through Random House and Gefen Publishing. Several of her short stories were included in the New York Times bestselling Small Miracles series. A die-hard Packer fan and graduate of UW-Madison, she’s married with two sons. Find her on Twitter: @lizawiemer.


Measuring Success

tape measureI was once asked what success meant.  I remember struggling for an answer because I’d never given the definition of success much thought before.  Back then, I was in customer support for a software company, so I equated success to a day of answered calls.  However, that wasn’t what the asker was looking for.  The person asking the question went on to explain that there was no right answer to the definition of success because what I define as success, another person might not.

His words have stayed with me through the years, and as I started my new career as an author, I found myself facing a similar question.  What is success to an author?  As an industry-collective thought, the answer seems to revolve around landing a traditional publishing deal.  By doing so, an author has “made it” as a published author.  But was that a definition of success which would satisfy me?

When I first started researching how to become published in 2012, the wheels of change had been slowly turning for years, thanks to the inception of Amazon’s self-publishing platform in 2007.  That change had opened doors for many aspiring authors, who had taken a self-publishing route.

I read how, with an upload of a file, an aspiring author could instantly reach readers.  I remember spending hours researching article after article about the pros and cons of self-publishing and just wishing someone would come out and say which was the right thing for me to do.  There was no article with the magic answer, and the more I researched, the more I began to understand that the answer lay in the reason why I wanted to publish my books.  I just wanted to share the stories that had so entertained me during their creation.

With the digital age in full swing and rising projections of readers switching to devices, I took the plunge and went the self-publishing route.  January 2013, I uploaded my first book, quickly followed by a second in March and a third in April.  Did I consider myself successful?  Let’s look at the numbers:

Jan Feb March April
Book 1 17 5 7 10
Book 2 27 23
Book 3 9

 

No, I wasn’t very successful, but I was persistent and kept researching and learning about the market, my target audience, and my options.  October 2013, everything changed when I altered my pricing strategy and my covers.  I suddenly had over 2,000 downloads of Hope(less), the first book in my Judgement Series (the second book I published).  I was finally reaching readers and sharing my stories.

Today, I write full-time, out earning what I’ve made in any of my previous careers.  Although I do consider that a level of success, my income still doesn’t define my success.  It didn’t in previous careers so why should it now?

The original reason I started writing and why I continue to write, remains my definition of success.  To share the stories in my head.  To give all my imaginary friends a voice.  To be read.  To date I’ve sold over 300,000 books and given away over 500,000 series starters.

Success can be measured in so many different ways.  What’s your measure of success?

Melissa Haagby: Melissa Haag

Melissa Haag lives in Wisconsin with her husband and three children.  An avid reader she spent many hours curled in a comfortable chair flipping pages in her teens. She began writing a few years ago when some ideas just refused to be ignored any longer.