Everywhere I looked, a potential story scene loomed. Who was she meeting in that corner room? Why is she rocking out in front of everyone with her happy dance? That’s what attending the Write Touch Conference did to me. It inspired me to be creative and share my tales through the power of the written word. To paraphrase conference speaker and author Lisa Cron, we are wired to share stories.
I attended the Write Touch Conference to become a better writer. Like a sponge, I soaked in as much information as I could. I learned about story beats and crafting a scene. Marketing tips flowed freely from the speakers. Personal stories from beginning and accomplished authors on their path to publication uplifted me.
Being a novice, I’m still learning the basic elements of writing a novel. So, I’m plunging headfirst into romance novel plot points, using the #writetouchconference as my guide. With the plot structure adapted from Priscilla Oliveras‘s Gale Online Course, I’ve developed a story outline that incorporates some of the conference highlights.
Conrad Hastings. He graduated from college a few decades ago, never took a creative writing course, and fell asleep numerous times reading Wuthering Heights. An unlikely romance novel writer.
Ms. Write Touch Conference. Teacher extraordinaire, romance professor, and connoisseur of fine wines. Heroine of all heroines. Motto: Dare to be Decadent.
Tara Fischer. Nicer than the girl next door, she wouldn’t hurt anyone’s feelings. The logical love interest for Conrad, she won’t get in the way between a writer and his muse.
Reaching his mid-life crisis at full throttle, Conrad must write an entertaining novel to impress Tara or risk losing her to the sexy Scottish Highlander literary heroes (once she’s gone kilt, she’ll never come back).
Romance Plot Outline
“It’s not you, it’s me.”
Conrad has heard that phrase before, but it especially stung when it came from his friend Tara. A voracious reader, she could not look into his eyes. He’s asked her for an honest review of his novel, but he sensed her hesitation to tell the plain truth. He knew. He’s known all along. His writing sucked and he needed help.
Tara slid her smart phone across the restaurant table, opened to the WisRWA conference web page. No words were needed. He realized he has to attend.
Conrad cautiously stepped through the Hyatt vestibule, his senses overwhelmed with the busy lobby. But there she was – she could not be missed. Plastered on placards and a large wall, Ms. Write Touch Conference welcomed all writers.
Conrad nearly jumped out of his shoes from the slight tap on his shoulder. He turned around to gawk at the most beautiful woman he has ever seen.
“Welcome,” Ms. Write declared with a large grin, “I’m so happy you could attend.”
More enduring than advertised, she promised to guide him throughout the day. She suggested attending both writing and publishing/marketing events. Conrad was already smitten before the conference sessions even began.
Development (Intimacy Grows)
Day One lived up to the hype. Literary agents Courtney Miller-Callihan, Kimberly Brower, and Laura Zats talked about the current state of publishing and offered insights into new trends and possibilities. Editors Jennie Conway and Madeleine Colavita and Author Becca Puglisi offered constructive criticism to authors wanting a fresh and resplendent start to their novels. Authors Angela Ackerman, Mel Jolly, and Angie Stanton provided ideas to find his audience and connect with them. The indelible and genuine Lisa Cron taught an all-day, intensive writing course on crafting the irresistible novel. Conrad felt his confidence grow, knowing even published writers had obstacles to conquer on their journey to success.
Yet, he did not have Ms. Write’s full attention. She guided other aspiring and veteran writers through the smorgasbord of conference offerings. Night One’s special: An Evening with Daring and Decadent Girls. He wished he could be there to share in the fun, but family commitments came first. Will missing the evening adventure derail his novel?
Day Two was just as dazzling as the first day. Authors Angela Ackerman, Becca Puglisi, Valerie Biel, Mel Jolly, Amy Reichert, Lisa Cron, Angie Stanton, and Bobbi Dumas discussed novel writing, editing, publishing, and marketing. Keynote Speaker Maya Rodale spoke about writing the right story. He was given the tools to be successful. It was up to him to apply them, but fortunately inspiration was as close as the titillating glass elevator. He now had the perfect setting for writing a sex scene.
Guilt washed over Conrad’s face, stuck on the outside, looking in. There Ms. Write was again, center stage in the best restaurant with the best view, basking in glory as the sun set upon downtown Milwaukee. He had to go home early, while she regaled the writers with Daring Dialogue and Decadent Prose. Does she even miss him?
Misery or Big Black Moment
Why did he even want to write a novel? A great friend, Tara will always like him, even if his head-hopping scenes and verb conjugation made her dizzy. Ms. Write was there to provide the tools for a successful career and to provide guidance, support, and encouragement for his writing journey. He’s got the support, but he searched for motivation.
It’s simple – he wanted to share his stories and donate any proceeds to his favorite charities.
At breakfast, in-between sharing bites of bacon with his dog, he realized he does not have to be jealous of Ms. Write. She favored no one, but supported everyone. She wanted all authors to succeed.
He made a promise. In two years’ time, he will reconnect with Ms. Write Touch Conference. She will be impressed. So will Tara.
By T. Ganfield
Tom Ganfield is working on his first novel, Chasing Chestnut, with younger versions of Conrad and Tara. As a dog lover, he is trying to position Chestnut (the dog) to steal scenes and the hearts of his characters (and maybe the readers?).
Imagine this scenario. A young woman has been asked out, repeatedly, by the same young man. Whenever she bumps into him in their small town, he asks her out again. She keeps saying no. He’s pressed her for a reason, and she’s told him that she just isn’t interested in dating him. She doesn’t want to hurt his feelings, but she isn’t attracted to him and his continued advances make her uncomfortable. He keeps bothering her, again and again. One night, she is crossing a bridge on her way home and meets the guy again. Is it really a coincidence? Has he been following her? He asks her out again; again she says no. So he climbs over the railing of the bridge and leans over the edge. The water beneath him is shallow and rocky. He tells the girl that if she doesn’t agree to go out with him, he’ll let go. He even releases one hand to show her how serious he is. Scared and with no other choice (other than to let him fall off the edge), she says yes.
Stories like this are becoming disturbingly common, especially among young people. On social media, we see stories of “crazy” guys pressuring girls into agreeing to go out with them, sometimes with wild ultimatums. Say yes, and he’ll stop harassing and threatening you. Say yes, or he’ll bring a gun to school. Say yes, or he’ll kill himself. We all know that there is nothing romantic about forced consent. Consider the story above. It’s not romantic. It’s creepy. This isn’t what love looks like.
Or is it?
The Notebook is arguably one of the most popular romance movies of our time. Reconsider that opening scene, and keep The Notebook in mind. This is oddly similar to the hero of The Notebook, who refused to take no for an answer and even went so far as to hang off a Ferris wheel to convince the heroine to date him. Of course, it was all okay because he was the hero and we knew he had good intentions. He wasn’t a creeper and they were soul mates. We find this story sweet and endearing… or is that what we’ve been taught to think?
We’ve all heard that young boys pick on girls because they like them, teaching us that if a boy is mean to you, it’s because he likes you, not because he’s a jerk. (He’s Just Not That Into You, anyone?) In romance novels, we love a persistent hero who won’t give up. Young girls are taught that guys should chase them and that girls should play hard to get. If he doesn’t give up, he must really love you, and then you fall in love and live happily ever after. But in writing stories like these, are we part of the problem? Are we teaching young ladies that it’s okay for their “hero” to treat them badly because once they fall in love, everything will be okay? Are we teaching young men to do whatever it takes to get a girl to say yes, even if she doesn’t want to? Are we teaching young people that “no” doesn’t really mean no—it means “keep pushing until I give in?”
I don’t have the answers to these questions, but as we sit down to pen our next romance, hopefully these are things we’ll all take into consideration. Are you writing a story where your hero acts like a jerk, but it’s excused because he’s the hero of the story? Are you writing a story where the heroine is helpless and trapped, pressured by the guy who says he loves her? Or are you writing a story that models a good relationship for young people?
Food for thought.
by: Kayla Bain-Vrba
Kayla has been living in daydreams ever since she was a little girl and writing about them for as long as she can remember. It was her discovery of m/m romance that jump-started her adventure as a published author in 2010. When she’s not writing—or is procrastinating writing—Kayla enjoys spending time with her other half, crafting, and planning things to a tee.