Each month, WisRWA will announce the new books our members have published. We call it New Release Tuesday.
Congratulations to the following WisRWA members on their new releases.
Lady Sarah by Lyn Cote
Resurrection by Olivia Rae
The Trail of Love by Tina Susedik
WisRWA is pleased to announce the finalists of both our contests: the Fabulous Five Contest and the Write Touch Readers Award. Congratulations to all!
Winners will be announced on May 20th at the WisRWA Write Touch Conference Awards Luncheon.
2017 FABULOUS FIVE FINALISTS
Belinda Brooks – Home Again
Kate Courtright – Time and Again
Kate Courtright – You are Love
Monique Headley – Hard Lessons
Christina Hovland – Things I Wish I’d Done
Avery Cove – Fragile Hearts
Elizabeth Everett – The Rescue of Lord Grange
Elizabeth Everett – The Seduction of Mrs. Smith
Carol Potenza – Second Choice
Abigail Wilson – The Secrets Within the Towers
Angela E. Arndt – The Beekeeper’s Daughter
Kathryn Barker – Catch a Falling Angel
Izzy James – The Shopkeeper’s Widow
Patti Stockdale – The Measure of a Memory
Sharee Stover – Believable Lies
Chel Chavez – The Heir of Erois (Book 1)
Paige Helton – Witch’s Veil
Anne Reed – Dark Matter
Kat Turner – Magical Thinking
Chris Westwater – Wolfling
Kelly Duff – Tame My Racing Heart
Jeanine Englert – Lovely Digits
Barbara Forlenza – Beyond Paradise
Barbara Forlenza – Forbidden Paradise
Lori Matthews – Hit & Run
Debbie Archer – Pocket Change
Wendi Dass – Liebling
Kristi Rhodes – The Tropical Transformation of Joanie Weston
Linda J. Truesdell – The Mending Time
Vicki Volden – Both
Young Adult/New Adult
Rachel Berens-VanHeest – A Gift of Crows
Laura Cumbie – From There to Here
Riley Darkes – Serving Time
Christine Gunderson – Covenant Park
Monica Headley – Off the Rails
2017 WRITE TOUCH READERS AWARD FINALISTS
Contemporary – Long
Babette de Jongh – Angel Falls
Melynda Price – Fighting for Control
Dawn Tomasko – Tides of Hope, A Nantucket Romance Novel
Contemporary – Mid-length
Valerie J. Clarizio *** – Family Forever
Sara Dahmen *** – Wine and Children
Sierra Hill – Sweet Girl
Contemporary – Short
Brenna Ash – Second Chances
Joanne Dannon – Wanting Mr. Right
Stacey Joy Netzel *** – Spring Dreams
Margaret Mallory – Claimed by a Highlander (The Douglas Legacy)
Amy Sandas *** – Luck is no Lady
Vonda Sinclair – Highlander Unbroken
Mary Bentley-Lloyd – Pirate’s Treasure
Laura Scott *** – Shielding His Christmas Witness
Aubrey Wynne – Paper Love
Marissa Doyle – Skin Deep
Marie Johnston – Ancient Ties
Marie Johnston – Birthright
Jade Chandler – Enough
Suzanne Eglington – She’s Got the Jack: The Kate and Robert Chronicles
LaQuette – Lies You Tell
Abbie Roads –Hunt the Dawn
Vicki Tharp – In Her Defense
Tara Wyatt – Necessary Risk
Mainstream Fiction with a Central Romance Theme
Kate Forest – Interior Design and Other Emotions
Robin Perini – Forgotten Secrets
Bev Pettersen – Millionaire’s Shot
j. leigh bailey –Guyliner
Tricia Cerrone – Glisten
Katherine Fleet – The Secret To Letting Go
In April, the Milwaukee Area will be hosting literary agent Abby Saul from The Lark Group at our meeting. With the May conference in Green Bay (which will be fantastic) right around the corner, Abby’s help with tweaking and practicing our pitches, queries, and openings, is timely.
Here’s a chance for us to get to know Abby a little better before the meeting.
Q: Your website indicates that the Lark Group is an agile and editorially focused agency. What does that mean to authors?
A: We work quickly to help our authors present the best product possible. As a new and small agency, The Lark Group is able to experiment, quickly pivot to new opportunities, and help our authors find new paths (in their writing, in the way they publish, in the way we get their books in front of editors). But the quality of the book remains paramount, and that’s where our editorial focus comes in! I’ve gone through at least two rounds of editorial revisions with all of my clients’ manuscripts, addressing big and small things, to help make their books the best they can be. So what does that mean for our authors? It means they know they have a true partner helping them get a truly excellent book published. (It also means it’s easy to get me on the phone!)
Q: Why is it advantageous to work with an agent rather than directly query a publisher?
<strong:A: Most obviously, many publishers won’t accept unagented submissions – without an agent, you can’t even get your manuscript read! Houses that do accept unagented submissions will often put those submissions at the bottom of the pile, prioritizing projects that come in from agents. So an agent helps you get your project into the house for consideration. But it goes much deeper than that.
It’s my job as an agent to know what editor is looking for what kind of project, and thus create a submission list that’s tailor-made to your project. It’s also my job as an agent to negotiate your contract (and keep the business arrangements as much in your favor as possible), to be your advocate in all things (editorial changes, marketing plans, cover design, etc), and to be a force to be reckoned with in terms of you getting paid and helping manage your author brand. It’s also my job to have foreign, audio, and film/tv contacts to sell subsidiary rights for your books. Going it alone can work for some authors, but those business and industry pitfalls (contract traps, late payments, figuring out who to contact in Germany, the force of a whole publishing company worrying about itself instead of you, and so on) can be tremendously daunting for most authors, and that makes it easy for unrepresented authors to make unnecessary mistakes. An agent is your partner in all aspects of this business, and is there to advocate (always!) for you.
Q: Do you work with self-published authors, or do writers who plan to self-publish still need an agent?
A: I don’t currently have any self-published authors on my client list, but I’ve worked with them in the past. I do strongly believe that the days of a project making it big on the self-publishing side and then being picked up by a Big 5 publisher are over. If you’ve self-published a book, you’ve self-published it. It’s not going to be traditionally published after that. But self-publishing success on the romance side can translate to a traditional publisher being interested in your next work, and that’s where you might want to think about an agent.
Agents are pros at helping authors make career changes, and moving from indie publishing to traditional publishing is a big one. Even if you want to stay on the indie/self-publishing side of the industry, an agent can help you sell subsidiary rights for your work (foreign, audio, film/tv, etc). I’ll also note that a lot of romance authors write fast (it’s impressive!) and more and more authors in traditional deals are publishing on a hybrid schedule: fulfilling their traditional contracts while also pursuing self-publishing (of a different series) on the side. Agents can help navigate having your feet in both pools, and make sure you’re respecting contracts schedules, etc.
Thanks Abby! We’re looking forward to meeting with you in person.